I've been meaning to come up with a decent sticky post for ages, mostly to write down the 'I'm used to tumblr norms so no need to ask before subscribing, anon comments get screened, also all posts about my personal life are access-locked' stuff, but I cannot for the life of me describe myself. On the one hand, at least this isn't a job interview and I can edit whatever I say as much as I like, but on the other, that just gives me extra room to obsess and freeze up. Is there anything interesting about me? Do I have characteristics? Am I even a person? Am I real?
To procrastinate, I made myself another icon. Man, I miss dressing up.
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i) This is probably still a slightly better introduction than '[under construction] this is all new to me' so I'm gonna swap it out anyway. ii) Hello! Nice to meet you! I am dimtraces and I suck at this
I'm very slow at reading right now sadly and have piles of unread cool books. Which makes reading book reviews about things I haven't read a bittersweet experience, because so many of them are also cool, and I really cannot justify starting and then getting distracted away from even more books right now. I haven't read either of these, but they sound super neat.
Nature’s Metropolis by William Cronon
A book about commodity flows sounds fantastic actually, but then I am into fantasy worldbuilding.
Invisible Cities by Italo Calvino
(via Top 10 books about building cities)
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Side note: i) A blog is basically an open notebook right? ii) I have a bookmark folder of links to books that sound cool and many word documents of book lists but I'm trying a new way to keep track. iii) Why did I have to be both the person who finds everything interesting and the one who wants to reread the things I like over and over?And the one whose brain is full of static this past year and doesn't have the energy to focus on much?
Nature’s Metropolis by William Cronon
A book that focuses on commodity flows – grain, lumber and meat – does not sound enticing. But Cronon’s insights into the troubled relationship between a city and its hinterland are revelatory. We learn how the rise of Chicago in the late 19th century created social and environmental havoc, with effects that are still felt to this day. Chicago is the crucible for Cronon’s analysis, but his thinking is pertinent to an understanding of the hidden forces at work in any contemporary city.
A book about commodity flows sounds fantastic actually, but then I am into fantasy worldbuilding.
Invisible Cities by Italo Calvino
Marco Polo reports to an increasingly sceptical Kublai Khan on the cities he has seen while travelling the world. This is Calvino at his alchemical best. As one brief portrait follows another we are forced, in ways miraculous, to reflect on our own behaviour as members of a society. The cities’ construction may be fantastical, but each portrait flags up uncomfortable contemporary truths. A favourite of mine is Penthesilea. It has no centre and no end: “outside Penthesilea does an outside exist? Or, no matter how far you go from the city, will you only pass from one limbo to another, never managing to leave it?”
(via Top 10 books about building cities)
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Side note: i) A blog is basically an open notebook right? ii) I have a bookmark folder of links to books that sound cool and many word documents of book lists but I'm trying a new way to keep track. iii) Why did I have to be both the person who finds everything interesting and the one who wants to reread the things I like over and over?And the one whose brain is full of static this past year and doesn't have the energy to focus on much?
Rules: Go to your AO3 works page, expand all the filters, and answer the following questions!
I saw this over at
senmut via the network tab.
FANFIC (35)
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I saw this over at
FANFIC (35)
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Dark Patterns.
Dark Patterns are "tricks used in websites and apps that make you buy or sign up for things that you didn't mean to" and there is a fascinating gallery of examples on the site, from misleadingly labelled buttons to very obfuscated site design. As with questionnaire design and statistics reporting, the aspect I immediately gravitate to when learning about something is its potential for manipulation.
Pankaj Mishra: Watch This Man. A book review for Civilisation: The West and the Rest by Niall Ferguson (LRB, 2011).
I've read and hated and argued against this book in class, and I wish I'd known Mishra's concise rebuttal back then. Lots of good references.
China Mieville: On Social Sadism (Salvage, 2015).
I'm pretty sure I was googling for articles on social murder instead when I stumbled across this article and got distracted. Serious content warning for descriptions of police brutality, torture, murder, racism, casual cruelty; but it attempts to pull together many threads I was aware of separately but not in juxtaposition. Something to think about.
David Wallace-Wells: The Uninhabitable Earth, Annotated version (Intelligencer, 2017). // Laurie Laybourn-Langton, Lesley Rankin, Darren Baxter: This is a crisis: Facing up to the age of environmental breakdown (IPPR, 2019).
Two overviews of research on climate change. I'm assuming Wallace-Well's 2019 book of the same title is even more comprehensive and up-to-date, but I haven't got it yet, and the article makes for chilling but lucid reading. The IPPR report focuses a bit more on socioeconomic impact.
Dark Patterns are "tricks used in websites and apps that make you buy or sign up for things that you didn't mean to" and there is a fascinating gallery of examples on the site, from misleadingly labelled buttons to very obfuscated site design. As with questionnaire design and statistics reporting, the aspect I immediately gravitate to when learning about something is its potential for manipulation.
Pankaj Mishra: Watch This Man. A book review for Civilisation: The West and the Rest by Niall Ferguson (LRB, 2011).
I've read and hated and argued against this book in class, and I wish I'd known Mishra's concise rebuttal back then. Lots of good references.
The slave-trading, self-commemorating European conquerors of Asia and Africa, Naipaul writes, ‘could do one thing and say something quite different because they had an idea of what they owed to their civilisation’. Ferguson, a retro rather than revisionist historian, tries to summon up some of that old imperial insouciance here. Consequently, his book is immune to the broadly tragic view – that every document of civilisation is also a document of barbarism – just as it is to humour and irony.
China Mieville: On Social Sadism (Salvage, 2015).
I'm pretty sure I was googling for articles on social murder instead when I stumbled across this article and got distracted. Serious content warning for descriptions of police brutality, torture, murder, racism, casual cruelty; but it attempts to pull together many threads I was aware of separately but not in juxtaposition. Something to think about.
David Wallace-Wells: The Uninhabitable Earth, Annotated version (Intelligencer, 2017). // Laurie Laybourn-Langton, Lesley Rankin, Darren Baxter: This is a crisis: Facing up to the age of environmental breakdown (IPPR, 2019).
Two overviews of research on climate change. I'm assuming Wallace-Well's 2019 book of the same title is even more comprehensive and up-to-date, but I haven't got it yet, and the article makes for chilling but lucid reading. The IPPR report focuses a bit more on socioeconomic impact.
Tags:
I don't listen to music while I'm writing because I'm easily distracted, but I do always think about music and most of my titles are lyrics. Consequentially, I've been thinking a lot about how the choice of song frames the fic to myself, anyway, because it's not like I can be sure of other people's associations. That's one of the appeals of a mixtape to me--one moment, multiple interpretations. This one's about the fall of Anakin Skywalker.
Below the cuts: the respective embedded youtube videos, because that and CDs is still what I use for music.
the Mountain Goats -- ( Cry for Judas )
Streetlight Manifesto -- ( Watch It Crash )
dEUS -- ( Sister Dew )
Skunk Anansie -- ( Sad Sad Sad )
Fliehende Stürme -- ( Die Axt )
DoomSword -- ( The Death of Ferdia )
Kirsty MacColl -- ( He Never Mentioned Love )
Johnny Cash -- ( One (U2 cover) )
the Indelicates -- ( Beyond the Radio Horizon )
Foetus -- ( The Throne of Agony )
Manic Street Preachers -- ( Faster )
Marina and the Diamonds -- ( Buy the Stars )
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Side notes: i) I always want to call fanfics I Will Walk You Home because it makes me think about the deeply ominous Adverts song and then I remember other people don't have that association :( ii) most of these posts are at least 50% about me trying out dreamwidth's functionality tbh. iii) can you do drafts on dreamwidth? I've been using a private published post but is there a better way? iv) man I really miss tag rambling. I think I'll have side notes on every post haha. though I'm not sure about the formatting yet.
Below the cuts: the respective embedded youtube videos, because that and CDs is still what I use for music.
the Mountain Goats -- ( Cry for Judas )
Streetlight Manifesto -- ( Watch It Crash )
dEUS -- ( Sister Dew )
Skunk Anansie -- ( Sad Sad Sad )
Fliehende Stürme -- ( Die Axt )
DoomSword -- ( The Death of Ferdia )
Kirsty MacColl -- ( He Never Mentioned Love )
Johnny Cash -- ( One (U2 cover) )
the Indelicates -- ( Beyond the Radio Horizon )
Foetus -- ( The Throne of Agony )
Manic Street Preachers -- ( Faster )
Marina and the Diamonds -- ( Buy the Stars )
___________
Side notes: i) I always want to call fanfics I Will Walk You Home because it makes me think about the deeply ominous Adverts song and then I remember other people don't have that association :( ii) most of these posts are at least 50% about me trying out dreamwidth's functionality tbh. iii) can you do drafts on dreamwidth? I've been using a private published post but is there a better way? iv) man I really miss tag rambling. I think I'll have side notes on every post haha. though I'm not sure about the formatting yet.
There's apparently a prompt list of awkward romcom prompts! My favourite type of romcom tbh.
I'm not going to sign up because I'm still working on that one genprompt_bingo prompt, three months later, but I had a ton of fun reading through the various prompts and having ideas and maybe somebody else is interested?
(via
allbingo)
( some prompts I liked under the cut )
This month's fest is all about the humor and tragedy of awkwardness. While a "meet cute" is a scene where two characters are introduced in an adorable, cute, funny, charming way, a "meet ugly" is a scene where your characters encounter each other in a horrible, unfortunate, unflattering way. (and still manage to like each other!)
I'm not going to sign up because I'm still working on that one genprompt_bingo prompt, three months later, but I had a ton of fun reading through the various prompts and having ideas and maybe somebody else is interested?
(via
( some prompts I liked under the cut )
Tags:
I signed up to do
genprompt_bingo. The first time I've tried to do something like this, but I'm looking forward to it! Some of them are maybe even too easy. I mean, "Ritual Marks and Body Decorations"? "Wings"? "Vengeance"? Also I've been meaning to try 2nd person for a while to test my idea of its intimacy and disorienting effect, for my long-planned horror story about the moments just before Savage's transformation
| Dissociation / Multiple Personalities | Journeys and Quests | Far Over the Misty Mountains Cold | Indefatiguable | Resonance |
| Be Still My Beating Heart | Vengeance | Second person narration | Trade Winds | Identity Crisis |
| Wings | Regret | Wild Card | Dolls | Push and Pull |
| Ritual Marks and Body Decorations | Mentors | Midnight | Bitter | Zealandia |
| Dragons | Teenagers | Vulnerability | Virtual Reality | Soft |
Tags:
The Metafilter tag for OuLiPo
I know, I'm linking a site for linking sites in a linkspam, but I'd never heard of OuLiPo before and so this is more about the breadth of the concept instead of a specific example, if that makes sense. OuLiPo is short for Ouvroir de Littérature Potentielle (Workshop for Potential Literature), seeking to create and incorporate restrictive techniques and methods into their writing, and I fucking love restrictive techniques in writing. (Actually I've been meaning to read Georges Perec's La Disparition, a novel without words that have the letter 'e', for years now, and apparently he was a member of Oulipo, which just goes to show I should stop piling ever more books onto my 'to read' pile....) The restrictions I'm most used to are the easy ones, length rules like 100 words or 3 sentences, but I'm excited to see what else is out there.
Kate Crawford: Can an Algorithm Be Agonistic? Ten Scenes about Living in Calculated Publics
Social science buzzwords galore, but that is what I'm studying. I was at a talk by Annelie Pentenrieder about social practices when using navigation software, and the aspect I found most fascinating was the concept of 'data doubles' ("the conversion of human bodies and minds into data flows that can be figuratively reassembled for the purposes of personal reflection and interaction"[1]. One example would be Amazon recommendations: when you look at them you can guess at the assumptions about you their algorithm makes), and linked to the concept of data doubles, users trying to observe their data double, guessing the behaviours that influence it and changing them for their own ends, 'gaming' the algorithm. Her example was a Deliveroo food delivery biker who used to ride fast, noticed he was offered the less lucrative long-distance deliveries, and then decided to drive much slower. In a similar vein, there used to be this tip of copying the job advert in tiny white text onto your resumee when applying for jobs online, or having a bot automatically search random stuff so you obscure your 'true' self with garbage data.
When researching, I came across Crawford's talk, which is a pretty good framework for looking at the process, and 'agonistic' is one of my favourite political science concepts because I'm deeply suspicious of consensus and technocracy. (A non-jargon introduction to Mouffe's agonistic pluralism is the Guardian Longreads article The death of consensus: how conflict came back to politics).
I know, I'm linking a site for linking sites in a linkspam, but I'd never heard of OuLiPo before and so this is more about the breadth of the concept instead of a specific example, if that makes sense. OuLiPo is short for Ouvroir de Littérature Potentielle (Workshop for Potential Literature), seeking to create and incorporate restrictive techniques and methods into their writing, and I fucking love restrictive techniques in writing. (Actually I've been meaning to read Georges Perec's La Disparition, a novel without words that have the letter 'e', for years now, and apparently he was a member of Oulipo, which just goes to show I should stop piling ever more books onto my 'to read' pile....) The restrictions I'm most used to are the easy ones, length rules like 100 words or 3 sentences, but I'm excited to see what else is out there.
Kate Crawford: Can an Algorithm Be Agonistic? Ten Scenes about Living in Calculated Publics
Social science buzzwords galore, but that is what I'm studying. I was at a talk by Annelie Pentenrieder about social practices when using navigation software, and the aspect I found most fascinating was the concept of 'data doubles' ("the conversion of human bodies and minds into data flows that can be figuratively reassembled for the purposes of personal reflection and interaction"[1]. One example would be Amazon recommendations: when you look at them you can guess at the assumptions about you their algorithm makes), and linked to the concept of data doubles, users trying to observe their data double, guessing the behaviours that influence it and changing them for their own ends, 'gaming' the algorithm. Her example was a Deliveroo food delivery biker who used to ride fast, noticed he was offered the less lucrative long-distance deliveries, and then decided to drive much slower. In a similar vein, there used to be this tip of copying the job advert in tiny white text onto your resumee when applying for jobs online, or having a bot automatically search random stuff so you obscure your 'true' self with garbage data.
When researching, I came across Crawford's talk, which is a pretty good framework for looking at the process, and 'agonistic' is one of my favourite political science concepts because I'm deeply suspicious of consensus and technocracy. (A non-jargon introduction to Mouffe's agonistic pluralism is the Guardian Longreads article The death of consensus: how conflict came back to politics).
Tags:
Nalbinding - Nålbindning - Nålebinding
It's a fabric creation technique older than knitting or crochet, and apparently more durable. I saw the link somewhere on tumblr. I used to play around a lot with yarn as a kid (I made straw-and-string dolls, did weaving both on a tiny wooden loom and the improvised cardboard version, knotted tiny carpets, and more recently and in terms of general fabric craft I've been sewing and painting fabric by hand or with stencils) but for some reason, knitting and similar stuff is one of the things I've never tried. Back then, I did not see the value of warm socks. Now, I kind of want to learn this...
Alexandra Rowland: One Atom of Justice, one Molecule of Mercy, and the Empire of Unsheathed Knives.
An essay about how three types of story--grimdark, noblebrightt, hopepunk--relate to the struggle for justice that I found via metafilter. I'm still thinking about it, because in parts these thoughts are close to what I think about the stuff I write and that in turn makes me wonder whether I'm too close to see the pitfalls.
Akwaeke Emezi: My surgeries were a bridge across realities, a spirit customizing its vessel to reflect its nature.
An article about their medical transition and the concept of Ogbanje, which I came across looking for reviews for their book Freshwater. I already have way too many unread books--in my defense, everything is so interesting--but yesterday I read an article comparing US and UK book covers because I was too tired to do anything useful and too awake to go to bed, and two covers stood out to me: Olivia Laing's Crudo (UK version) with the lobster flesh and the fly which is so cool I'll probably end up reading the book, and the UK version of Emezi's Freshwater--less for the design but for the words on it: "I have lived many lives inside this body. I lived many lives before they put me in this body. I will live many lives when they take me out of it." Like, wow. I really want to read this. But I have so many books.
It's a fabric creation technique older than knitting or crochet, and apparently more durable. I saw the link somewhere on tumblr. I used to play around a lot with yarn as a kid (I made straw-and-string dolls, did weaving both on a tiny wooden loom and the improvised cardboard version, knotted tiny carpets, and more recently and in terms of general fabric craft I've been sewing and painting fabric by hand or with stencils) but for some reason, knitting and similar stuff is one of the things I've never tried. Back then, I did not see the value of warm socks. Now, I kind of want to learn this...
Alexandra Rowland: One Atom of Justice, one Molecule of Mercy, and the Empire of Unsheathed Knives.
An essay about how three types of story--grimdark, noblebrightt, hopepunk--relate to the struggle for justice that I found via metafilter. I'm still thinking about it, because in parts these thoughts are close to what I think about the stuff I write and that in turn makes me wonder whether I'm too close to see the pitfalls.
Akwaeke Emezi: My surgeries were a bridge across realities, a spirit customizing its vessel to reflect its nature.
An article about their medical transition and the concept of Ogbanje, which I came across looking for reviews for their book Freshwater. I already have way too many unread books--in my defense, everything is so interesting--but yesterday I read an article comparing US and UK book covers because I was too tired to do anything useful and too awake to go to bed, and two covers stood out to me: Olivia Laing's Crudo (UK version) with the lobster flesh and the fly which is so cool I'll probably end up reading the book, and the UK version of Emezi's Freshwater--less for the design but for the words on it: "I have lived many lives inside this body. I lived many lives before they put me in this body. I will live many lives when they take me out of it." Like, wow. I really want to read this. But I have so many books.
Tags:
Preamble: Runaways 'verse is a series about the big "what if" of Maul and Savage's relationship: what if Savage had started from a slightly more equal position and been able to redefine their relationship? The middle installment Riches and Wonders was the first time I genuinely focused on Savage's interiority, and when
sl_walker asked me ask meme questions about it on tumblr, I spent a week drafting a long ramble-slash-meta about Savage and his relationship with Maul, preserved here for posterity.
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Fandom: Star Wars Sequels Trilogy
Characters: Finn, Kylo Ren
Series: The blue man
Length: 625 words
“You knew too much about him, I think,” Finn says. “That’s why you couldn’t hear him. Why it was easier for me.”
Predictably, Kylo Ren doesn’t answer. He just sits on the bed they’ve cuffed him to, head turned away sullenly and pulling on his bacta patches. But Finn’s already in for a credit, and Poe’s in the cockpit, and Rey’s off somewhere doing diagnostics on BB-8, not that he’d begrudge either of them not wanting to spend more time than necessary in Ren’s company. Hell, Finn doesn’t like the guy either. He’s kinda curious though, and there’s something (“Ben, please,” the ghost of Anakin Skywalker begs. “Please come home.”) that is keeping him here.
“You were looking for strength, weren’t you? To be in control, to be safe—free,” he guesses. “You thought Mr Vader had it. It’s no wonder you didn’t find him—”
“Lord Vader was strong!” ( Read more... )
Characters: Finn, Kylo Ren
Series: The blue man
Length: 625 words
“You knew too much about him, I think,” Finn says. “That’s why you couldn’t hear him. Why it was easier for me.”
Predictably, Kylo Ren doesn’t answer. He just sits on the bed they’ve cuffed him to, head turned away sullenly and pulling on his bacta patches. But Finn’s already in for a credit, and Poe’s in the cockpit, and Rey’s off somewhere doing diagnostics on BB-8, not that he’d begrudge either of them not wanting to spend more time than necessary in Ren’s company. Hell, Finn doesn’t like the guy either. He’s kinda curious though, and there’s something (“Ben, please,” the ghost of Anakin Skywalker begs. “Please come home.”) that is keeping him here.
“You were looking for strength, weren’t you? To be in control, to be safe—free,” he guesses. “You thought Mr Vader had it. It’s no wonder you didn’t find him—”
“Lord Vader was strong!” ( Read more... )